1852-1928 was a Norwegian painter. He attended the of Fredrik Eckersberg in Kristiania (now Oslo) in 1866 and 1870. After that, he studied painting briefly with Knud Bergslien at the Johan Fredrick Eckersberg School of Painting and left to go abroad in 1871. He studied at the School of Art of Copenhagen; in Karlsruhe (1871?C1873), where he was a student of Hans Gude; and, together with Hans Heyerdahl, in Munich under Wilhelm von Diez. He then studied in London, Paris, and Italy. After these travels, he returned to Norway and settled in Bærum. He made his debut at the Høstutstillingen (Autumn Exposition) in Kristiania in 1882. He was a profound connoisseur of European art and was later associated groups such as Lysaker, the painters of Fleskum and those of Skagenpainters, as well as with individual artists like August Eiebakke, Kitty Kielland and Harald Oskar Sohlberg. In Norway, he is also known as the designer of the coat of arms of Norway, adopted when the country separated from Sweden in 1905 to become an independent country. This version was used for official government purposes until 1937, when it was replaced by a new version. Nonetheless, Peterssen's design is still used for the royal coat of arms and for the royal flag. In addition to his canvasses, he collaborated on the decoration of the Tourist Hotel in Holmenkollen in 1889. In the same year, he painted the murals "The Wanderers of Emmaus" in the Church of Tanum in Bærum and "Jesus in the Garden of Gethsemane" in the Church of the Cross, Bergen.   Related Paintings of Eilif Peterssen :. | Anbetung der Heiligen Drei Konige | The Continence of Scipio | The girl in the pink | The Battle of Fort Moultrie | Bootsleute auf dem Missouri |
Related Artists:
Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
Alfred Jacob Miller
American Painter, 1810-1874 1810?C74, American artist, b. Baltimore, studied under Thomas Sully and in Europe. In 1837 he joined an expedition to the American West and was probably the first artist to depict the Rocky Mts. On that trip he produced his most important works, chiefly studies of Native American and frontier life, valuable for their documentary detail. These sketches and watercolors were entirely forgotten for nearly a century until they were rediscovered in a storeroom of the Peale Museum, Baltimore.
Piero di Cosimo
1462-1521 Italian Piero di Cosimo Galleries Italian painter and draughtsman. Tax declarations made by Piero di Cosimo's father suggest that the artist was born in either 1461 or 1462. According to the first, he was eight years old in 1469, while a catasto (land registry declaration) of 1480 gives his age as 18. A document of 1457 establishes that his father, Lorenzo di Piero d'Antonio, was a maker of small tools (succhiellinaio) rather than a goldsmith, as Vasari claimed. By 1480 Piero appears no longer to have been living at the family house in the Via della Scala, Florence, but was an unsalaried apprentice or workshop assistant to Cosimo Rosselli, from whom he received room and board and eventually took the name of Piero di Cosimo.